Products related to Design:
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Design, Empathy, Interpretation : Toward Interpretive Design Research
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Understanding Boat Design
For new boating enthusiasts--even if they've been at it awhile--there are scores of burning questions.If one boat has a round bottom and another's is veed, what difference does it make in the way they perform?What are the advantages of a cutter rig over a sloop?Why does one sailor swear by a full keel, while others won't have anything but a fin keel?Why does one powerboat have more flare in its topsides than another? And what is flare? Why do some hull shapes look "right"? How big an engine and propeller will it take to move that powerboat?What elements make a boat safe, or comfortable?Understanding Boat Design has been the place to look for quick, uncomplicated answers since 1971.Founder of the Yacht Design Institute, a highly respected designer for more than 30 years, and a frequent contributor to SAIL, Cruising World, and other magazines, Ted Brewer has again revised his classic primer.This new volume has been greatly expanded and contains information on many aspects of design that were not even thought of twenty years ago.Understanding Boat Design has eased tens of thousands of readers into the complex world of small-craft design.It is the ideal introduction for backyard boatbuilders, students of boat design, or someone looking to buy a first boat."This tight little book should be required reading."--Soundings"A natural for those embarking on a first purchase, or the amateur builder."--Sailing"One of the cleanest and clearest expositions on the elements of yacht design ever published . . . by a naval architect who knows what he is talking about."--WoodenBoat
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Emotionally Durable Design : Objects, Experiences and Empathy
Emotionally Durable Design presents counterpoints to our ‘throwaway society’ by developing powerful design tools, methods and frameworks that build resilience into relationships between people and things.The book takes us beyond the sustainable design field’s established focus on energy and materials, to engage the underlying psychological phenomena that shape patterns of consumption and waste.In fluid and accessible writing, the author asks: why do we discard products that still work?He then moves forward to define strategies for the design of products that people want to keep for longer.Along the way we are introduced to over twenty examples of emotional durability in smart phones, shoes, chairs, clocks, teacups, toasters, boats and other material experiences. Emotionally Durable Design transcends the prevailing doom and gloom rhetoric of sustainability discourse, to pioneer a more hopeful, meaningful and resilient form of material culture.This second edition features pull-out quotes, illustrated product examples, a running glossary and comprehensive stand firsts; this book can be read cover to cover, or dipped in-and-out of.It is a daring call to arms for professional designers, educators, researchers and students from in a range of disciplines from product design to architecture; framing an alternative genre of design that reduces the consumption and waste of resources by increasing the durability of relationships between people and things.
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Typographic Design : Form and Communication
The bestselling introduction to designing the written word Typographic Design: Form & Communication is the definitive reference for graphic designers, providing a comprehensive introduction to the visual word.Done well, typopgraphy can communicate so much more than the words themselves.Typographic design determines how you feel about a message, the associations you make, and ultimately, the overall success of the communication.Typographic design extends from the page to the screen, and is a critical element of almost any graphic design project.This book provides essential guidance on everything related to type: from letterforms and negative space, to messaging, processes, and history, aspiring designers will find great utility in mastering these critical concepts. This new seventh edition has been fully updated with new coverage of contemporary typography processes, updated case studies, and new examples from branding, print, web, motion, and more.On-screen typographic design concepts are discussed in greater detail, and the online supplemental materials include new flashcards, terminology and quizzes. Understand design factors as they relate to typeExplore communication and typographic messagingLearn how typography has evolved, and where it is headedAdopt established approaches to designing with type The irony of typographic design is that, when done well, it often goes unnoticed—but its impact on a project’s overall success is undeniable.Typography can make or break a page, can enhance or overpower an image, and can obscure a message or bring it into sharp focus.It is one of the most powerful tools in the graphic designer’s arsenal, and Typographic Design is the complete, practical introduction.
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How to design the application portfolio for communication design?
When designing an application portfolio for communication design, it is important to showcase a diverse range of work that demonstrates your skills and creativity. Include a variety of projects such as branding, print design, digital design, and any other relevant work that highlights your abilities. Organize your portfolio in a clear and visually appealing manner, making it easy for potential employers or clients to navigate and understand your work. Additionally, consider including case studies or explanations of your design process to provide insight into your problem-solving abilities and creative thinking.
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What is the difference between media design and communication design?
Media design focuses on the creation of visual content for various platforms such as print, web, and digital media. It involves the use of graphic design, typography, and layout to convey a message or tell a story. On the other hand, communication design is a broader field that encompasses not only visual elements but also verbal and non-verbal communication. It involves creating a cohesive and effective communication strategy through various mediums, including visual, verbal, and experiential elements. While media design is more focused on the visual aspect, communication design takes a more holistic approach to conveying a message or idea.
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How can one imagine communication design?
Communication design can be imagined as the art and science of creating visual and verbal messages that effectively convey information, ideas, and emotions to a specific audience. It involves the strategic use of typography, imagery, color, and layout to communicate a message clearly and persuasively. One can imagine communication design as the process of crafting visual and verbal elements into a cohesive and impactful communication piece, whether it's a logo, website, advertisement, or publication. It requires a deep understanding of the audience, the message, and the medium in order to create designs that resonate and engage.
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Do you need to be able to draw for communication design, logo design, and web design?
While being able to draw can be a valuable skill for communication design, logo design, and web design, it is not always necessary. Many designers use digital tools and software to create their designs, and being able to sketch or draw by hand is not a requirement. However, having a good understanding of design principles, typography, color theory, and layout is essential for all three disciplines. Additionally, being able to effectively communicate ideas and concepts visually is more important than being able to draw realistically.
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Design Thinking for Visual Communication
How do you start a design project? How can you generate ideas and concepts in response to a design brief?How do other designers do it? This book will answer all these questions and more. Now in its second edition, the highly popular Design Thinking for Visual Communication identifies methods and thought processes used by designers in order to start the process that eventually leads to a finished piece of work.Step-by-step guidance for each part of the process is highlighted by real-life case studies, enabling the student to see teaching in practice.This focus on ideas and methods eschews an abstract, academic approach in favour of a useable approach to design as a problem-solving activity. The new edition now includes contributions from a broader international range of design practices and adds depth to existing case studies by looking in greater detail at some of the processes used.
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Understanding Site in Design Pedagogy
This book examines diverse ways of questioning, critiquing, and communicating site in the creative process of architecture, interior design, urban planning, and historical and cultural studies.The authors use the term site to connote a series of complex, established, or pre-existing conditions – a setting, an atmosphere, an area – to read, to interpret, to relate to, and to engage with, to redefine, or to create in relation to a design prompt.By acknowledging, accommodating, and empowering the physical, intellectual, and cultural characteristics of a site, students question its history, boundaries, posture, and situational aspects.Such inquiries promote a deeper appreciation of a site and thus help students to acknowledge its capacity to influence design throughout the iterative creative process.Understanding Site in Design Pedagogy adds to the body of literature on design studio pedagogy by presenting a collection of essays that challenge normative assumptions about what defines a site and its distinctive qualities.It poses a series of pedagogical questions for how sites might be diversely interpreted and introduced to design students.This study offers chapters that speak to site, memory, and lived experience; multi-scalar thinking about site; connecting to site through sensory phenomenon in interior design; alternate ways of engaging site for learning sustainable principles; and introducing unorthodox forms of site as the impetus to creative endeavours.It offers innovative approaches to scholarship of teaching and learning with respect to diverse readings of site within design education.
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Stage Management : Communication Design as Scenography
Drawing on interview material from more than 20 leading stage managers from the UK, USA and Australia, this book situates the contemporary practice of stage management within its historical and social contexts. Questioning the notions of the invisible stage manager and a linear production process, it argues for a broader conception of stage management lying at the intersections of administration, management and artistry. This volume places stage management practice within key theories drawn from the diverse fields of performance studies, semiotics, phenomenology, distributed cognition, management and scenography.It champions the creative agency of stage management and details the properties of communication which stage managers manipulate and the objectives they set out to achieve as a guide for decision making.While it considers the different approaches necessitated by productions from different cultures, genres, and so on, it offers a view of stage management which is not bound by these differences.
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Technical Communication : A Design-Centric Approach
Technical Communication: A Design-Centric Approach is a comprehensive textbook for introductory courses in technical communication and professional writing. Technical Communication takes a design approach to foundational and emergent technical communication skills such as document design, job applications and interviews, workplace collaboration, and report writing, providing students with practical guidance on matters of ethics, style, and problem-solving in a range of professional and organizational contexts. This is a core textbook suitable for undergraduate courses in technical and professional communication. The book is supplemented by an innovative website featuring interactive simulations of various real-world technical communication challenges.Visit https://microcore.byu.edu/
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What are your experiences with communication design?
As an AI language model, I don't have personal experiences, but I can tell you that communication design involves creating visual and textual content to effectively convey a message to a specific audience. This can include designing logos, websites, advertisements, and other marketing materials. I have been trained on a wide range of communication design principles and can help generate content that is visually appealing and effectively communicates a message.
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Is communication design also studied at state universities?
Yes, communication design is also studied at state universities. Many state universities offer programs in communication design, graphic design, visual communication, and related fields. These programs often provide a comprehensive education in design principles, visual communication, and the use of technology in design. Students at state universities can pursue degrees in communication design at the undergraduate and graduate levels, and may have access to resources such as design labs, studios, and internship opportunities.
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What are the job prospects for graphic design and communication design with a bachelor's degree?
Job prospects for graphic design and communication design with a bachelor's degree are generally positive. Many industries, such as advertising, marketing, publishing, and web design, require the skills of graphic and communication designers. With the increasing importance of visual communication in the digital age, the demand for these professionals is expected to grow. However, competition for jobs in this field can be fierce, so gaining experience through internships and building a strong portfolio is essential for success. Additionally, staying updated with the latest design software and technology can also improve job prospects.
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What is the difference between communication design and illustration?
Communication design focuses on creating visual content that effectively communicates a message or idea to a specific audience, often using a combination of text, images, and other design elements. Illustration, on the other hand, is a specific form of visual art that involves creating images to accompany or enhance a written or verbal narrative. While both fields involve visual communication, communication design is more focused on the overall design and layout of visual content, while illustration is centered around creating standalone images.
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